Ram Darbar Idol in Brass

Ram Darbar Frame in Brass is attractive, last long antic finish And unique statue.

Rama, prince of Ayodhya, won the hand of the beautiful princess Sita (seen here), but was exiled with her and his brother Laksmana for 14 years through the plotting of his stepmother. In the forest Sita was abducted by Ravana, and Rama gathered an army of monkeys headed by Hanuman and bears to search for her. The allies attacked Lanka, killed Ravana, and rescued Sita. In order to prove Her chastity, Sita entered fire, but was vindicated by the gods and restored to her husband. After the couple's triumphant return to Ayodhya, Rama's righteous rule (Ram-raj) inaugurated a golden age for all mankind. 

Design: Made in heavy shining brass. 
Brass is well known for its grasping capacity. It grasps the divine spirit upto 30%, when compared to other metals.  The spiritual vibrations are attracted towards these shining idols easily.

Dimensions: 4.75 inches (H) x 5.25 inches (W) x 0.5 inches (thickness)
Weight: 870 gms

Importance of Idol worship: Idols are not the idle fancies of sculptors, but shining channels through which the heart of the devotee is attracted to and flows towards God. Though the image is worshipped, the devotee feels the presence of the Lord in it and pours out his devotion unto it. Regular worship, Puja and other modes of demonstrating our inner feeling of recognition of Divinity in the idol unveils the Divinity latent in it. This is truly a wonder and a miracle. The picture comes to life. The idol speaks. It will answer your questions and solve your problems. The God in you has the power to awaken the latent Divinity in the idol. The lives of Mirabai, Sant Tukaram, Shri Ramakrishna Paramhansa and Shri Yogananda are a few instances to prove the point. They proved beyond doubt that idol worship has its own brighter side and through simple faith and intense devotion one can realize God through it.

Idols are the "finite representation of the Infinite".  As per Vishnu Samhita (ch 29, v 55-7), persuasively endorses the use of imagery (idols) and puts it: "Without a form how can God be mediated upon? If (He is) without any form, where will the mind fix itself? When there is nothing for the mind to attach itself to, it will slip away from meditation or will glide into a state of slumber. Therefore the wise will meditate on some form, remembering, however, that the form is a superimposition and not a reality."