A unique brass Bagalamukhi Mahavidya Statue available at Vedic Vaani.
Bagalamukhi" is derived from "Bagala" (distortion of the original Sanskrit root "valga") and "mukha", meaning "bridle" and "face", respectively. Thus, the name means one whose face has the power to capture or control. She thus represents the hypnotic power of the Goddess. Another interpretation translates her name as crane faced.
Bagalamukhi is the goddess of black magic of poisons. She rules over the subtle perception which make us feel at a distance the death or misery of those we know. Bagala or Bagalamukhi is the eighth Mahavidya in the famous series of the 10 Mahavidyas Kali, Tara, Shodashi, Bhuvaneshvari, Chinnamasta, Bhairavi, Dhumavati, Bagala, Matangi and Kamala. she is identified with the second night of courage, according to Alain Danielou in his Hindu Polytheism, and is the power or Shakti of cruelty.
Baglamukhi is identified with the second night of courage and is the power or Shakti of cruelty. She is described as the Devi with three eyes, wearing yellow clothes and gems, moon as her diadem, wearing champaka blossoms, with one hand holding the tongue of an enemy and with the left hand spiking him, thus should you meditate on the paralyser of the three worlds. Seated on the right of Bagala is the Maharudra, with one face, who dissolves the universe. Bagalamukhi means "The Crane-Headed One". This bird is thought of as the essence of deceit. She rules magic for the suppression of an enemy's gossip. She rules deceit which is at the heart of most speech. She can in this sense be considered as a terrible or Bhairavi form of Matrika Devi, the mother of all speech.
Design: Made in heavy shining brass.
Brass is well known for its grasping capacity. It grasps the divine spirit upto 30%, when compared to other metals. The spiritual vibrations are attracted towards these shining idols easily.
Dimensions: 10.75 inches (H) x 6 inches (W) x 3.5 inches (thickness)
Weight: 2.8 kgs
Importance of Idol worship: Idols are not the idle fancies of sculptors, but shining channels through which the heart of the devotee is attracted to and flows towards God.Though the image is worshipped, the devotee feels the presence of the Lord in it and pours out his devotion unto it. Regular worship, Puja and other modes of demonstrating our inner feeling of recognition of Divinity in the idol unveils the Divinity latent in it. This is truly a wonder and a miracle.The picture comes to life.The idol speaks.It will answer your questions and solve your problems.The God in you has the power to awaken the latent Divinity in the idol.The lives of Mirabai, Sant Tukaram, Shri Ramakrishna Paramhansa and Shri Yogananda are a few instances to prove the point.They proved beyond doubt that idol worship has its own brighter side and through simple faith and intense devotion one can realize God through it.
Idols are the "finite representation of the Infinite".As per Vishnu Samhita (ch 29,v55-7),persuasively endorses the use of imagery (idols) and puts it: "Without a form how can God be mediated upon? If (He is) without any form, where will the mind fix itself? When there is nothing for the mind to attach itself to,it will slip away from meditation or will glide into a state of slumber.Therefore the wise will meditate on some form, remembering,however,that the form is a superimposition and not a reality."